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Coronation Swimming Pool

I’d been drawn to the fascinating lines of Coronation Pool in Edmonton for a number of years and was determined to one day try my hand at photographing it. The location of my commercial photography studio afforded me regular trips past the pool and on one such trip I noticed some interesting clouds forming behind it. I got my gear out thinking that this might be the time to finally give it a go. As luck would have it one pane of glass in the building was shattered, lending even more interest to what was already a wonderful image. I left the reflection of the tree in the bottom corner just to bring a little bit of nature into the scene and to give the viewer one more detail to look at.

Available

Information

  • Media

    photography
  • Artwork Type

    photography
  • Dimensions (framed)

    23" x 20"

Cost

Rental Price $27.00
Purchase Price $500.00

Leon Strembitsky

Leon Strembitsky Photo

My first love is black and white photography. That probably has to do with the fact that I started out many years ago sloshing around in a makeshift darkroom set up in my parent's basement bathroom. In the last few years I’ve transitioned from shooting large format film, almost exclusively black and white, to a digital slr which allows me to produce colour as well. Regardless, whether the final image will be black and white or colour, I'm always drawn to scenes with strong compositional elements and strong lighting. Most of my images are manipulated and often times quite different from what a literal translation of the scene would show. I do, however, strive to maintain the believability of the image. So, even though there may be a great deal of manipulation, it isn't readily obvious.

People often ask me why I photograph and after much consideration the one thing that I come up with is this...it gives me joy. To find exciting things all around, sometimes in the most familiar places, fascinates me. Showing it to others is my way of sharing that joy. That's all there is to it, no drawn out explanations, no spiritual intervention, no existential undercurrents, just good, strong photographs! After all, when I'm not here to explain it, there will only be the work so it has to be able to stand on its own.